This is a revised and extensively rewritten edition of a work first published in 1985 as English Society 1688-1832. That book arrived at the opening of a new phase in English historiography, which questioned much of the received picture of English society as secular, modernising, contractarian, and middle class; it began the recovery of the 'long eighteenth century', the period...(展开全部)

This is a revised and extensively rewritten edition of a work first published in 1985 as English Society 1688-1832. That book arrived at the opening of a new phase in English historiography, which questioned much of the received picture of English society as secular, modernising, contractarian, and middle class; it began the recovery of the 'long eighteenth century', the period...(展开全部)

This book takes its leave with the realization that Western-driven culture is quickly reaching the limits of global capitalism, and that this reality manifests itself not only economically and politically, but that it is at once a cultural, aesthetic, political, religious, ecological, and philosophical problem. While Western capitalism is based upon the assumption of indefinit...(展开全部)

This book, now recognised as a classic, has done perhaps more than any other single work to change the face of art criticism in the twentieth century. Whereas previous books on French painting looked only at the history of painting as an evolution of artistic styles (baroque, rococo, neo-classical, and so on), Norman Bryson examines the evolution of narrative styles: the kinds ...(展开全部)

Michael Oakeshott’s interest in religion and theology was especially prominent in his essays of the 1920s and 1930s. This book consists of four important unpublished pieces, together with six essays by Oakeshott that originally appeared in remote and inaccessible journals. Much of the collection was written early in his career and reveals not only Oakeshott’s initial intellectu...(展开全部)

A very strong collection of essays that goes beyond the critical poles that have tended to divide Hegel's readers in recent years. Rather than assuming we already know Hegel, these essays approach the philosopher as an infinitely complex and shifting set of ideas and texts that must be constantly reread, insofar as those texts continue to unfold new meanings through ongoing tra...(展开全部)

A very strong collection of essays that goes beyond the critical poles that have tended to divide Hegel's readers in recent years. Rather than assuming we already know Hegel, these essays approach the philosopher as an infinitely complex and shifting set of ideas and texts that must be constantly reread, insofar as those texts continue to unfold new meanings through ongoing tra...(展开全部)

A brilliant account of religion's role in the political thinking of the West, from the Enlightenment to the close of World War II. The wish to bring political life under God's authority is nothing new, and it's clear that today religious passions are again driving world politics, confounding expectations of a secular future. In this major book, Mark Lilla reveals the sources o...(展开全部)

A brilliant account of religion's role in the political thinking of the West, from the Enlightenment to the close of World War II. The wish to bring political life under God's authority is nothing new, and it's clear that today religious passions are again driving world politics, confounding expectations of a secular future. In this major book, Mark Lilla reveals the sources o...(展开全部)

'Politics and the English Language' is widely considered Orwell's most important essay on style. Style, for Orwell, was never simply a question of aesthetics; it was always inextricably linked to politics and to truth.'All issues are political issues, and politics itself is a mass of lies, evasions, folly, hatred and schizophrenia.When the general atmosphere is bad, language mu...(展开全部)